THE ARMORY SHOW 2023
THE ARMORY SHOW 2023
AUSTIN EDDY
BOOTH 413
PREVIEW | THURSDAY, SEPTEMBER 7
PUBLIC DAYS | SEPTEMBER 8-10
JAVITS CENTER, NEW YORK
We are delighted to announce our first participation at The Armory Show in New York this September in collaboration with Galerie Haas, Zurich. We are happy to present new works by Austin Eddy, and Galerie Haas will show works by Sandra Vásquez de la Horra.
”Austin Eddy is always exploring new boundaries in his work, which he sets for himself. He left non-figurative painting behind because he missed a connection to life and certain rules. Everything was possible! In the motif of the bird, to which he found in the organic work process rather by chance than from a conceptual consideration, he discovered a metaphor for our existence. The bird is a recurring motif in the history of art. Artists such as Jean Arp, Constantin Brancusi, and Paul Klee created countless works for which the depiction of the bird served as a point of departure. For Paul Klee, the animal symbolized total freedom, because unlike humans, it can move completely detached from gravity. Klee recognized an “Urtragik” (Ur-tragedy) in human existence: while the body is bound to the earth by gravity, the spirit moves completely freely. The duality of our lives also preoccupies Austin Eddy in his new paintings.”
Excerpt from the exhibition text by Fabienne Eggelhöfer, chief curator Zentrum Paul Klee, Bern
Artist statement about The Armory Show presentation:
Like many things it starts with a simple scenario. A very honest grouping of events. The picture is both sad and beautiful, a collection of singular moments that are equally poignant and banal. A scenario is here to point out the very basic understanding of our own absence. Here then gone, the march of time is an unarguable and ever-present transition.
With this group of work I am trying to bring to light this transition through time. To have these works exist as musings on mortality, the eventual and inevitable end to one’s own existence. And through that understanding capture the audible silence of loss. Though conversely exploring the importance of living fully. Embracing the solidity and stillness of a moment. A reminder to hope.
There is an ever unfolding to the duality of our existence. The desire for companionship and structure is constantly at odds with a want for solitude and disorder. Like the tide, we are pulled in opposite directions through our days, weeks, years. This ebb and flow can mirror our passage through time. A reminder that this cycle never ends.
-Austin Eddy
Austin Eddy
Echoes Of Spring. 2023
Oil and Flashe on canvas
80 x 40 in / 203.2 x 101.6 cm
signed verso
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Austin Eddy
City Bird, 2023
Bronze
43 x 23.5 x 4 in / 109.22 x 59.69 x 10.16 cm
Edition 2/3 + 1AP
signed and numbered bottom
Austin Eddy
An Island And The Ocean. 2022
Oil and Flashe on canvas
72 x 24 in / 182.88 x 60.96 cm
signed verso
Austin Eddy
New Bird, 2023
Bronze
24 x 18.5 x 3.5 in / 60.96 x 46.99 x 8.89 cm
signed and numbered bottom
Edition 2/3 + 1AP
Austin Eddy
The Silence Of A Sleeping City. 2023
Oil, Flashe and paper on canvas
20 x 14 in / 50.8 x 35.56 cm
signed verso
Austin Eddy
A House And A Home. 2022-23
Oil and Flashe on canvas
80 x 40 in / 203.2 x 101.6 cm
signed verso
Austin Eddy
On The Rocks. (Humlebæk, DK.), 2022
Ink, cut paper on paper
22 x 15 in / 55.88 x 38.1 cm
signed verso
Austin Eddy (*1986, Boston, lives and works in Brooklyn, New York) earned his BFA in Painting from The School of the Art Institute of Chicago in 2010. Recent solo exhibitions include In the Off-Hours, Livie Gallery, Zurich, Switzerland (2023); Even An Island Has The Ocean, Berggruen Gallery, San Francisco, USA (2023); Sad Landscapes, Le Consortium Dijon, Académie Conti, La Romanée-Conti, Dijon, France, curated by Eric Troncy (2022); Immutable Traveler, Knust Kunz, Munich, Germany (2022); Marfa Invitational, Baldwin Gallery, Marfa, Texas, USA (2022); Crossing The Bar, Eva Presenhuber, Kastro Antiparos, Greece (2022); Above the House Where Paul Verlaine Died, 12.26, Dallas, Texas, USA (2022);Selected Poems, Eva Presenhuber, New York, USA (2022); Huddled At The Edge Of Night, 39 great jones, New York, USA, curated by Ugo Rondinone (2022); Passers By, Tif Sigfrids, Athens, Greece (2022); Light Reflecting Distance, The Pit, Los Angeles, USA (2021); and Seeuferweg, Livie Gallery, Zurich, Switzerland (2021).
Austin Eddy’s work has also been included in various group exhibitions, among them at The Urban Institute of Contemporary Art, Grand Rapids, Michigan, USA; The Museum of Contemporary Art, Atlanta, Georgia, USA; The New Hampshire Institute of Art, Manchester, New Hampshire, USA, and the Museum of Contemporary Art Detroit, Detroit, USA.